Pessoa was to have an extraordinary afterlife, as he prophesied in his poem “If I Die Young”: “roots may be hidden in the ground / But their flowers flower in the open air for all to see. / It must be so. Nothing can prevent it.” Among his belongings when he died was a large trunk, containing more than twenty-five thousand manuscript pages—the product of a lifetime of nearly graphomaniacal productivity.
Fernando Pessoa’s Disappearing Act
“Bradbury, who never used a computer or drove a car (and believed automobiles more dangerous than war), could be described by a little-known word in English derived from Portuguese, nefelibata: one who walks in the clouds. For better or for worse, we don’t as yet live in the future he imagined, and his predictions and screeds can feel quaint, if not ingenuous or tone-deaf, today. Yet at its best, his work is so imaginative that I feel able to drift off, up, for a bit, and dream.”
On the Dark, Wondrous Optimism of Ray Bradbury, By Gabrielle Bellot
Adrienne Rich, as a poet, essayist and feminist activist, held strong to her convictions. Here is some ‘life advice’ from her, which has resonated even more crucially as counterbalance to the current political climate.
“Responsibility to yourself means refusing to let others do your thinking, talking, and naming for you; it means learning to respect and use your own brains and instincts; hence, grappling with hard work … you don’t fall for shallow and easy solutions…”
Life Advice from Adrienne Rich – LitHub
The ascent of the latest U.S. president has proved Neil Postman’s argument in Amusing Ourselves to Death was right. In a very readable article in The Guardian, Andrew Postman (Neil Postman’s son), gives his take on the similarities of our current reality to Aldous Huxley’s Brave New World rather than George Orwell’s 1984. Basically, it’s not about Big Brother watching you, but people chasing entertainment, no matter how infuriatingly ridiculous or ‘fake’ it might be.
As Postman writes:
Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture..
Where will we go from here? Postman argues:
Who can be appalled when the coin of the realm in public discourse is not experience, thoughtfulness or diplomacy but the ability to amuse – no matter how maddening or revolting the amusement?
My dad predicted Trump in 1985 – By Andrew Postman
Murat Cem Menguc’s essay on Hyperallergic is worth reading as it brings attention to More’s ‘Utopia.’
“First published in the early winter of 1516, Utopia eventually became one of the most widely read and thought-about texts of the Western world. ”
Why We Still Need Thomas More’s ‘Utopia’ in 2016
A Kite is a Victim
By Leonard Cohen
From: The Spice-Box of Earth
A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won’t give up,
or the wind die down.
A kite is the last poem you’ve written,
so you give it to the wind,
but you don’t let it go
until someone finds you
something else to do.
A kite is a contract of glory
that must be made with the sun,
so make friends with the field
the river and the wind,
then you pray the whole cold night before,
under the travelling cordless moon,
to make you worthy and lyric and pure.
Legendary poet, songwriter and artist, Leonard Cohen passed away on November 10, 2016.
Dance me to your beauty with a burning violin
Dance me through the panic ’til I’m gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love
The Crack In Everything Widens: A Dirge For Leonard Cohen By Sezin Koehler
Photo from: www.leonardcohen.com